You shouldn't try to watch experimental French films when all you can think about is your oppressive sinus congestion and how much you wish it wasn't there anymore. After twenty minutes of fragmented musings and explorations on the nature of memory, time, and death, your attention starts to give.
In my defense I'm supposed to have seen this film by tomorrow, and efforts to will away the general malaise have been for naught. I just cheated and read the narration transcription; hopefully that'll be enough to fake my way through the class.
Hopefully I will not be this deceased of mind when it comes time to watch whatever the rest of our experimental films are; I don't know that I could handle Matthew Barney* period, let alone with a head full of sinus goo.
*We will probably not actually be watching any Matthew Barney because his page on Wikipedia informs me that the Cremaster cycle is not commercially available and is only sold in a limited series of 20 DVDs for upwards of $100,000. Which...you know, the plot summary that sounds kind of like what would happen if you watched an X-rated ballet in rewind while ingesting enormous handfulls of mescaline, I can deal with; that's pretty typical of experimental cinema, at least in the past two decades or so. But that kind of price tag? The hell you smoking, Barney?
One day I will write that fic I had in mind for the
dw_historical ficathon. It didn't answer any prompt entirely (though one day I will think of a plot beyond the premise for that Metropolis-Maschinenmesch-went-missing-because-it's-a-Cyberman story. Oh, and learn enough about 20's Berlin to write it accurately) but it was a Five Things story about five times the Doctor disagreed with modern artists and featured shouting matches with Duchamp, Kasmir Malevich, an artist in the future who made obscene mobiles out of Barbies, Frank Stella, and Heironymous Bousch - making what I thought at the time was a rather nifty point about every artist, at some point, being a "modern artist" and how the art innovations we currently take for granted (even perspective, to a point) were at one point considered shocking, ugly, or even obscene/immoral.
Obvious problems arise when I query: a) whether anyone would read the thing, b) how I would write this without committing personal insult to every artist I cite, because I have to write their side of the argument too (unless it's just the Doctor looking at their paintings and ranting, which is much less fun) and the hell I can capture the wit and play of Duchamp or Malevich's deep mysticism, and Frank Stella hasn't issued jack by way of personal artist statements so how would I even write him. Besides, he's still alive, so it'd be weird, and c) even if I could do that how I'd write such a thing without revealing just what a pretentious wanker I actually am.
Seriously, I didn't realize it until I took a look at the True Art Is Incomprehensible page on TV Tropes, but I'm the kind of person who looks at a pile of bricks in the middle of a room in an exhibit and tries to figure out what it
means when everyone else has wisely gone back to the Monets. When did this happen? Can I get the wanker label removed if I admit I think Damien Hirsch is overrated and a substantial fraction of performance art is disaffected art majors trying to see what they can get away with? Help!
(I am imagining what would happen if I kept writing dream-sequence fics, got angry when no one read them or could figure out what they meant, and devoting entire authors' notes - nay, entire
essays to insisting that yes, actually, this
means shit, and I spent a long time figuring out what kind of shit it means so shut up and read it, you bunch of damned Philistines. Hopefully I lack the intellectual capacity/my head is not quite so far up my own arse (take your pick) to actually sink to that level. I hope.)
Anyway. General Malaise managed to progress this evening from "mild congestion" to "scarcely able to breathe for coughing/stuffiness", so rather than do my laundry or any of those things I was supposed to do I spent today with a cup of miso soup that J-of-the-house, who loves me
very very much and is a good person, brought me from Bonsai, watching French experimental films and trying not to think of how much I hurt (my left shoulder has also, for inexplicable reasons, become sore). I am torn between going to bed with these vague images in my mind and staying up a few hours part my bedtime with some big, gooey cheesy poof of a movie so I'll sleep better. I don't sleep too well when I'm thinking about things.
There was a point to this entry and here it is: Despite my protestations to the contrary I am thinking of maybe signing up to pinch-hit for Yuletide. It seems an easier way to get involved than actually signing up as part of the exchange. I've looked at the request list (look, after a while you run out of Things To Do On The Internet When You're Sick) and there are a handful of fandoms on there I can write (though I don't know how comfortable I'd be writing them, and once again there's no Brave and the Bold, because I apparently truly am the only person watching this show, alas woe), and...well...it's
Yuletide. I kind of would like to participate someday; people do talk about how much fun it is, and I do love getting presents.
So, Yuletide participants past and present on my flist, do you think starting as a pinch-hitter is a good idea? Is that what you did, or did you jump right in? Any advice?
*looks back up at entry* And this is why you don't try to compose an entry while tired and suffering from a head cold. I'll get me coat.