Screw you.
Screw you ALL.
Screw you ALL.
So, according to CSI Files, once we finally meet Julia, she informs Horatio that she poofed off the map in Pensacola because she didn't want to burden him with a child.
Which, pardon my French, is a load of crap.
Have any of these writers ever been in a relationship? (Yes, yes, pot calling the kettle black, I know.) Or for that matter, been a human female?
And even if I could buy that excuse, which I couldn't, she apparently deposited the kid with her mother until she got her life in order and he "got swallowed up by the system" by the time she got back to him.
So wait - did she or did she not want this kid? Did she think she wanted this kid but didn't really, and so let him fall into foster care so she wouldn't have to make that decision (which I might actually believe, maybe, if the script was sharper than a seatful of tacks)? Because it's not like your kid can just get carted off into foster care without you even noticing. Don't they have to notify the biological parent, at least?
I'm sorry, but for any of those excuses to work, this would have to be an exceptionally flighty and indecisive woman we'd be talking about here, which does fit into Horatio's type, I suppose. *scowl*
You know what? Screw it. I'm AU-ing Little Brothers. I don't care who Julia is in canon. I like my Julia better. I like my vodka-martini-drinking, sharp-minded, quick-talking, long-legged, snappy-suited, red-pumps-wearing, Janis-Joplin-loving, fantastic-in-bed med-school-graduate Navy nurse Julia. I like the Julia who has a casual relationship with Our Hero and walks out on him when he's being a jerk, rather than making noble sacrifices for Our Hero's hapiness. I like the Julia who bears some passing resemblance to a real human being in a real screwed-up relationship with another screwed-up human being.
Damn it, writers, is that so much to ask? Why do I have to do all your work for you?
Which, pardon my French, is a load of crap.
Have any of these writers ever been in a relationship? (Yes, yes, pot calling the kettle black, I know.) Or for that matter, been a human female?
And even if I could buy that excuse, which I couldn't, she apparently deposited the kid with her mother until she got her life in order and he "got swallowed up by the system" by the time she got back to him.
So wait - did she or did she not want this kid? Did she think she wanted this kid but didn't really, and so let him fall into foster care so she wouldn't have to make that decision (which I might actually believe, maybe, if the script was sharper than a seatful of tacks)? Because it's not like your kid can just get carted off into foster care without you even noticing. Don't they have to notify the biological parent, at least?
I'm sorry, but for any of those excuses to work, this would have to be an exceptionally flighty and indecisive woman we'd be talking about here, which does fit into Horatio's type, I suppose. *scowl*
You know what? Screw it. I'm AU-ing Little Brothers. I don't care who Julia is in canon. I like my Julia better. I like my vodka-martini-drinking, sharp-minded, quick-talking, long-legged, snappy-suited, red-pumps-wearing, Janis-Joplin-loving, fantastic-in-bed med-school-graduate Navy nurse Julia. I like the Julia who has a casual relationship with Our Hero and walks out on him when he's being a jerk, rather than making noble sacrifices for Our Hero's hapiness. I like the Julia who bears some passing resemblance to a real human being in a real screwed-up relationship with another screwed-up human being.
Damn it, writers, is that so much to ask? Why do I have to do all your work for you?
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I hope that's the explanation, because that's at least sort of plausible. No, wait, no it isn't, because why wouldn't Julia come back after her mother died, expecially knowing her son was with her?
Well, I guess it's either that or her mom shows up as a drunk/substance abuser, which makes it even less likely that Julia would leave her kid with her. Either way, I don't like it - it makes this woman so damn flighty, someone who solves her problems by running from them and dumping them on someone else.
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Yeah, I give up. Julia is stupid and flighty until such time as (if ever) the show decides to change my mind about that.
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Writers: >_< You won't give us what we want, fine! Eat bad episodes you douche bags!! Oh, and PS...the special effects team can suck our nuts!!
Or...
Maybe she became a ninja, and kept away from her son so the Brazilian ninjas of the Chupacabra Clan wouldn't know of his whereabouts.
Or...
She fell into a very deep plot hole with a smooth interior, so she had a difficult time climbing back out and by the time she did her son was gone.
Or...
Maybe this will somehow lead to glorious gay :o!!
Horatio: *sunglasses crack from mental esplosion* ...Julia.
Julia: ...Horatio.
Horatio: ...Julia...
Julia: ...Horatio...
Ryan: ...Julia ;_;? *whimpers, jealous of the attention his boss has given this woman*
Horatio: *turns* ...Ryan =D!
Ryan: Horatio! *kissy*
Julia: Ok, while you two suck each other's lips off, can I have my boy back??
Horatio: Fine D: we don't want him anyway! *goes back to kissy action*
Ryan: Ahh!! Horatio-sama, t-take me...!!
Julia: *covers Kyle's eyes* O__O
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Yes. Yes, this would explain everything! So once the strike's overwith, does this mean the show will get better? Oh, I hope so.
Also, this comment made my day. You have no idea how much these ideas made me giggle, especially the smooth-walled Plot Hole. And the image of Julia holding a hand over Kyle's eyes to sheild him from Teh Ghey. XD
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She's open minded, but she doesn't want Kyle to see sex at such a young and influential age XD
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"Sexings! In my office! Oh, my delicate sensibilities!"