You know, I may not post about it all that much, but I do love me some Law and Order.
More specifically, I think my general affection forand shallow fancying of Connie Rubirosa has been upgraded to a full-on girlcrush, with a dash of "I WANT TO BE YOU, CONNIE" for good measure.
So, in conclusion, CONNIE FUCKING RUBIROSA. Yeah. I feel a lot less bitter about Ed leaving now.
Quick unrelated note: Is it sad that, while I've been meaning to see Love, Actually for quite some time, what finally spurred me to put it on my Blockbuster queue was learning that Caroline John was in it?
(No less sad than putting The Omen in there solely because Patrick Troughton was in it, I suspect, given that I'm not nearly as squeamish about romances as I am about horror movies. But ah well.)
More specifically, I think my general affection for
Since SVU and CI are almost entirely focused on the police work nowadays, I do love it when the original show spends an extended period of time in the courtroom. And, in this episode, we had an actual, legitimate, interesting dilemma for Connie, which while a little contrived in hindsight never felt overplayed while I was actually watching it.
But what satisfies me most is that, once she's appointed to defend a murder suspect, Connie promptly turns around and eviscerates Cutter's case. I don't know why I loved watching that so much, since I've no particular dislike for Cutter, but I got this huge grin every time she got another piece of evidence or witness thrown out. She does her job, does it well, and doesn't apologize.
Of course, inevitably the moment comes when she figures out that they guy she's defending is guilty, and guilty of more than he was accused of, but there's no angst when she does. She admits to Jack that she doesn't know what to do, but that admission never for a moment makes her seem incapable. And it was worth it for the scene where she 'persuades' her client to take a plea bargain, no matter how much he didn't want to go back to jail - all without stepping down from her position as his defender.
But really, I just loved watching Connie be utterly fierce in a way that I haven't seen as much of since last year's finale (when, you may remember, she stabbed a butcher's knife into a book repeatedly to impress upon a jury the heinousness of a defendant's crime). Not that she isn't always tough, but most of the time she has to counterbalance Mike when he's going for people's throats, so I just about giggled with delight when she got the chance to rip the prosecution to shreds.
And at the end? She went out to buy Bernard a beer, because she knows she'll have to work with him again. It reminded me in a sort of sideways way of Jack and Lennie back in the day, but it also makes me love Connie just a bit more, because there's more to her than either the razor-sharp lawyer or the Voice of Reason in the DA's office. She's so very strong, but she doesn't have to 'prove' that strength by being surly or cruel when she's not on the job. (Which is a personal preference of mine, really; after so many tough TV heroines who are sarcastic, mean, and disfunctional 24-7, it's nice to see someone who is confident enough her own strength to be...nice.)
And the scene where Jack stands up for her in front of everyone in the DA's office? I may have cheered a little.And if I were so inclined, I'd so be shipping them. Age difference and all. He clearly respects her, after all.
But what satisfies me most is that, once she's appointed to defend a murder suspect, Connie promptly turns around and eviscerates Cutter's case. I don't know why I loved watching that so much, since I've no particular dislike for Cutter, but I got this huge grin every time she got another piece of evidence or witness thrown out. She does her job, does it well, and doesn't apologize.
Of course, inevitably the moment comes when she figures out that they guy she's defending is guilty, and guilty of more than he was accused of, but there's no angst when she does. She admits to Jack that she doesn't know what to do, but that admission never for a moment makes her seem incapable. And it was worth it for the scene where she 'persuades' her client to take a plea bargain, no matter how much he didn't want to go back to jail - all without stepping down from her position as his defender.
But really, I just loved watching Connie be utterly fierce in a way that I haven't seen as much of since last year's finale (when, you may remember, she stabbed a butcher's knife into a book repeatedly to impress upon a jury the heinousness of a defendant's crime). Not that she isn't always tough, but most of the time she has to counterbalance Mike when he's going for people's throats, so I just about giggled with delight when she got the chance to rip the prosecution to shreds.
And at the end? She went out to buy Bernard a beer, because she knows she'll have to work with him again. It reminded me in a sort of sideways way of Jack and Lennie back in the day, but it also makes me love Connie just a bit more, because there's more to her than either the razor-sharp lawyer or the Voice of Reason in the DA's office. She's so very strong, but she doesn't have to 'prove' that strength by being surly or cruel when she's not on the job. (Which is a personal preference of mine, really; after so many tough TV heroines who are sarcastic, mean, and disfunctional 24-7, it's nice to see someone who is confident enough her own strength to be...nice.)
And the scene where Jack stands up for her in front of everyone in the DA's office? I may have cheered a little.
So, in conclusion, CONNIE FUCKING RUBIROSA. Yeah. I feel a lot less bitter about Ed leaving now.
Quick unrelated note: Is it sad that, while I've been meaning to see Love, Actually for quite some time, what finally spurred me to put it on my Blockbuster queue was learning that Caroline John was in it?
(No less sad than putting The Omen in there solely because Patrick Troughton was in it, I suspect, given that I'm not nearly as squeamish about romances as I am about horror movies. But ah well.)
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I'm coming at the movie completely blank, really - I know the cast, but I don't know who's in which story or how they all relate to each other or anything. So this should be interesting.
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The cast is wonderful all-round, but it's all the different stories and how they are linked and merged to each other than eventually makes it all happening.
There are some cast choices that are only relevant to people from a specific country, and are usually more noticeable in the eight slot of the poster/DVD cover, which changes depending on the country you see it. Over here, the slot is filled by Lucia Moniz; in the States, it's Billy Bob Thornton; in the UK, it's Martine McCutcheon; in Germany, from what I was told, it's Heike Makatsch, and so on.
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That's a nifty thing to do with the poster/DVD cover, though. And good for the producers for hiring some actors who were neither American nor British. :D
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Indeed. It would have been so easy to get British actors to play a Portuguese maid (the accent would probably be laughable, though) or the American characters, so it's good to see they didn't follow that route. And then there's Heike Makatsch and Rodrigo Santoro, who played characters that don't have a specific nationality.
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(And I'd argue that any movie with Gregory Peck gets a little class by association, even if it is a trashy Hollywood blockbuster.)
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That The Mighty Trout is in it is what's making me debate watching The Omen, really.
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I think, once The Omen comes up in my Blockbuster queue, I'm just going to skip to the parts he's in, since I am very, very not fond of horror movies. I don't know if I'll be able to watch Father Brennan's death scene, though.
(Interesting tidbit: David Warner's in it too, and IIRC he played the Doctor in some of the Doctor Who Unbound audios. I just found that amusing.)
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I know, I know, I miss being in it, and I've been generally very bad about staying active in my various fandoms lately. I have been reading the drabbles at