posted by
stunt_muppet at 12:13pm on 08/09/2009 under books, college, doctor who, english/science otp, movies, music, writing
1. The Taming of the Shrew makes for some really, really uncomfortable reading, and while I appreciate the efforts of feminist critics everywhere who tie themselves into interpretive pretzels trying to make the whole affair less repulsively sexist, I'm not sure I'm buying it. You can read allegories of gender performance and re-examination of social roles into it, and I don't think for a second that Shakespeare meant for Petruchio and Katherina's relationship to be a model one, nor even Katherina as a model of feminine behavior (he writes so many other good female characters in the comedies, after all), but the ending is still tough going. But we're moving on to As You Like It after this, and I like that one.
2. The first Matrix movie is incredibly loud. The bass, it is still throbbing across my eardrums the morning after watching it. With respect to my Film professor, I suspect that The Matrix is one of those movies you're not actually supposed to watch on a big screen with big speakers because you'll wind up stone deaf.
Also, maybe it's just that when it was released Matrix was hailed as the best thing since sliced bread and thus I was expecting to hate it on second viewing, but the movie holds up pretty well. There are some clunky lines and acting and way too many wide-eyed repetitions of "He's the One!!!", but Laurence Fishburne actually pulls off a great deal of lines that really shouldn't work, and Agent Smith wasn't nearly as overplayed as I seem to remember him being. Plus, there's a lot of playing with the media/audience division and the nature of a medium itself, which is really cool to watch now that I'm a little more savvy to it. (Notice, for example, how the "authority figures", Morpheus and the Oracle, are almost always shot in close-up with their face to the viewer, effectively talking to us; there are very few two-shots.)
Also, I want there to be prequel movies all about Switch and Apock and Mouse and Tank and Dozer having adventures. Even if Switch and Apock don't really do anything I inexplicably love them, and despite being sketchy I think Mouse is just adorable.
3. The Mind Robber is one of the best things to happen to Doctor Who, ever, in the entire history of the program. On occasion I'll leave a DW serial going in the background to have some familiar noise while I'm working; I can't do that with Mind Robber. It demands full attention because it's just that good.
Again, maybe it's just because I hadn't seen it in a while, but I hadn't remembered just how intense and scary the first episode was, with the sense of intrusion and control and sheer unpredictability - the kind of surreal horror of the familiar rules of the universe breaking down, replaced by new rules that you don't understand and can't learn. And the Doctor's desperation to maintain control of his own mind and his own ship conflicting with his worry for his companions and the thought that he may not be able to do anything at all for them...it...I just...brrrr. :(
Other things:
4. Reading The Trial for class and am halfway finished with it, which isn't so great as I'm supposed to have it finished by tomorrow, but I suppose that's better than not having started it. Progress! Work ethics!
Anyway, despite some iffy things about the translation (a lot of the dialogue is really stilted, but then that might just be how Kafka writes) I'm enjoying this much more than I did Metamorphosis, mostly because Josef K. actually does things and goes to new places and makes plot happen, whereas Metamorphosis is pretty much entirely about Gregor Samsa being a cockroach and how much that sucks.
I'm still not sure why every female character in the book wants to sleep with Josef, but I'm sure that'll have some relevance by the end.
5. VH1 Classic is apparently having a Beatles-a-thon to promote Rock Band: The Beatles (which I would have bought right this second if I had money and a game console to play it on), which means I've watched Help! twice in the past couple of days. Supposedly, this movie was made before the Beatles were on all manner of illicit substances. I don't see how that's possible.
Also, all the cuddling and puppy-piling and silliness in the "Ticket To Ride" music video section makes me start to realize what all those Beatles RPS shippers are on about, much to my shame and horror.
5.a. In flim class I started talking with my classmates about children's TV we used to watch, and was delighted to discover that the boy sitting in front of me was not only a fellow Thomas the Tank Engine viewer but a Ringo purist (i.e. no narrator was ever better than Ringo, though I contended that George Carlin certainly wasn't bad). I love my school so much.
6. I appear to have gone from "incapable of writing anything" to "writing 1500 words or so, stalling once I hit a plot point, and abandoning the ensuing fic fragment, never to be seen again". Equally unproductive and annoying, yes, but better than nothing.
7. I have internets back! Sort of. It keeps cutting out and insisting I use the LAN cable even though I'm using wireless, but at least it's here. Hopefully this will not prevent me from getting things accomplished, except how it already sort of has. Like lookit that, I just missed Commons lunch AGAIN. Ergh.
And now I have officially spent too much time on the Internets again and must be off.
2. The first Matrix movie is incredibly loud. The bass, it is still throbbing across my eardrums the morning after watching it. With respect to my Film professor, I suspect that The Matrix is one of those movies you're not actually supposed to watch on a big screen with big speakers because you'll wind up stone deaf.
Also, maybe it's just that when it was released Matrix was hailed as the best thing since sliced bread and thus I was expecting to hate it on second viewing, but the movie holds up pretty well. There are some clunky lines and acting and way too many wide-eyed repetitions of "He's the One!!!", but Laurence Fishburne actually pulls off a great deal of lines that really shouldn't work, and Agent Smith wasn't nearly as overplayed as I seem to remember him being. Plus, there's a lot of playing with the media/audience division and the nature of a medium itself, which is really cool to watch now that I'm a little more savvy to it. (Notice, for example, how the "authority figures", Morpheus and the Oracle, are almost always shot in close-up with their face to the viewer, effectively talking to us; there are very few two-shots.)
Also, I want there to be prequel movies all about Switch and Apock and Mouse and Tank and Dozer having adventures. Even if Switch and Apock don't really do anything I inexplicably love them, and despite being sketchy I think Mouse is just adorable.
3. The Mind Robber is one of the best things to happen to Doctor Who, ever, in the entire history of the program. On occasion I'll leave a DW serial going in the background to have some familiar noise while I'm working; I can't do that with Mind Robber. It demands full attention because it's just that good.
Again, maybe it's just because I hadn't seen it in a while, but I hadn't remembered just how intense and scary the first episode was, with the sense of intrusion and control and sheer unpredictability - the kind of surreal horror of the familiar rules of the universe breaking down, replaced by new rules that you don't understand and can't learn. And the Doctor's desperation to maintain control of his own mind and his own ship conflicting with his worry for his companions and the thought that he may not be able to do anything at all for them...it...I just...brrrr. :(
Other things:
4. Reading The Trial for class and am halfway finished with it, which isn't so great as I'm supposed to have it finished by tomorrow, but I suppose that's better than not having started it. Progress! Work ethics!
Anyway, despite some iffy things about the translation (a lot of the dialogue is really stilted, but then that might just be how Kafka writes) I'm enjoying this much more than I did Metamorphosis, mostly because Josef K. actually does things and goes to new places and makes plot happen, whereas Metamorphosis is pretty much entirely about Gregor Samsa being a cockroach and how much that sucks.
I'm still not sure why every female character in the book wants to sleep with Josef, but I'm sure that'll have some relevance by the end.
5. VH1 Classic is apparently having a Beatles-a-thon to promote Rock Band: The Beatles (which I would have bought right this second if I had money and a game console to play it on), which means I've watched Help! twice in the past couple of days. Supposedly, this movie was made before the Beatles were on all manner of illicit substances. I don't see how that's possible.
Also, all the cuddling and puppy-piling and silliness in the "Ticket To Ride" music video section makes me start to realize what all those Beatles RPS shippers are on about, much to my shame and horror.
5.a. In flim class I started talking with my classmates about children's TV we used to watch, and was delighted to discover that the boy sitting in front of me was not only a fellow Thomas the Tank Engine viewer but a Ringo purist (i.e. no narrator was ever better than Ringo, though I contended that George Carlin certainly wasn't bad). I love my school so much.
6. I appear to have gone from "incapable of writing anything" to "writing 1500 words or so, stalling once I hit a plot point, and abandoning the ensuing fic fragment, never to be seen again". Equally unproductive and annoying, yes, but better than nothing.
7. I have internets back! Sort of. It keeps cutting out and insisting I use the LAN cable even though I'm using wireless, but at least it's here. Hopefully this will not prevent me from getting things accomplished, except how it already sort of has. Like lookit that, I just missed Commons lunch AGAIN. Ergh.
And now I have officially spent too much time on the Internets again and must be off.
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I've also never watched the whole of The Matrix. Never got the chance, and not sure if it'd be worth my while, because Mouse was MY FAVORITE, and like both times I saw far enough to see that he dies early on. I fail to see the subsequent point of the movie.
I <3 Kafka and how everyone in his work is awkwardly represented. I'd really love to poke around in that head of his.
Help? Lord, no, no, who told you that?! They were stoned through the entire fucking thing.
And Beatles RPS is just...instinct, you know?
I remember having a preference for either Ringo or George as the conductor, but I can't actually remember which now, and either way the conductor was still the best and I'm a big fan of both, leading back to those early days of watching Shining Time Station. =D
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The rest of movie is pretty good, though it's not the Cinematic Second Coming it was touted to be when it debuted, and it's been parodied so often it's hard to watch it unironically today. But there's no Mouse, and it just makes the whole movie kind of sad. :(
Lord, no, no, who told you that?! They were stoned through the entire fucking thing.
The movie suddenly makes a lot more sense. Well, sort of. As much sense as it's going to make, at any rate.
I think Ringo was my first conductor, but I was too young to really have a preference; I just registered Carlin as different but not necessarily better or worse. Of course, it wasn't until I was older that I figured out what a hilarious choice Carlin was to narrate a peaceful children's show. ;)
(no subject)
I dunno, my reaction to The Merchant of Venice is pretty straightforward: I want everyone but Shylock to DIE HORRIBLY while I watch with popcorn which, as I hate popcorn, is for throwing at them. And do I mean that is my exact reaction down to the details. I've spent some time shaping it to my satisfaction.
I dunno whose doing the plot was, but the way the guys were acting is because they were uncooperative because they were very, very stoned. All the time.
Ahhh, I love you, George. I think it adds to the hilarity that he really does have a soothing voice. o0 Gravelly, but gentle.
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Also Wikipedia tells me there's a production of it with Paul McGann as Bassanio and another one with Jeremy Brett as Bassanio, and, well...yeah.
I figured they were either really off their gourd or faking it really well, so I can't say I'm surprised. "It WAS you buzzin'! You naughty boy."
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OMG, Shining Time Station! That thing was appointment television for me back in the day, and part of it was because, somehow, even as a wee, sheltered 6-8 year old, I knew who Ringo Starr was and it blew my mind. George Carlin, on the other hand, I didn't know from a hole in the ground until many years later. (And I want to shake the hand of whoever it was that came up with the idea to make the creator of "Seven Words You Can't Say on Television" the narrator of a children's show.) And it should go without saying that both of them were waaaaaay better conductors than the Baldwins.
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I don't remember if I knew who Ringo was, but yeah, it wasn't until I was much older that I realized it was that George Carlin narrating my gentle kids' TV and how hilarious that was.
...wait, there were Baldwins narrating? What? What? No. That's just not right. D:
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...I'll be over here. In a corner. Sobbing quietly. :(
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